YouTuber Alex Knickerbocker works in the film industry and offers these kinds of effects at attractive prices: Quite honestly, the sources you listed on your free thread are more than sufficient for most folks. I see wooshes and similar effects as a special category.
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I think that one is better off going to a professional site and buying single effects as needed. I'm not a fan of websites that offer free or cheap sound effects.The quality is very uneven, and it's a way to waste a lot of time. In any event, if you're going to make a YouTube video on this subject, including Epidemic Sound and other services that are widely used by YouTubers is probably a good idea. A good example, popular among people who make YouTube videos, is Epidemic Sound: At this point, I would tell someone who wants inexpensive sound effects to check out a subscription to a music service that also offers sound effects. Every sound library developer, though, might have tagged the files with different categories! UCS has managed to provide a good list of categories that, luckily, a lot of developers are starting to use (although some of them might need a bit more time to re-tag their entire catalog).I think that the main market for this is people making videos.
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Software like BaseHead, Soundminer, or SoundQ from Pro Sound Effects provide amazing solutions for creating databases out of files spread over different hard drives and allow us to search by tag, category, or another bunch of information embedded in the files as Metadata. Why is that so important or relevant? When sound designers or entire studios accumulate an excessive number of libraries the number of files can easily exceed the limit of what’s manageable, and some way to easily access and manage them is absolutely needed. UCS stands for Universal Category System and is an initiative by Tim Nielsen, Justin Drury, Kai Paqin, and many others, and it consists of a set of specific categories for sound effects classification. Their levels respect the sound source, meaning that quiet sounds are not pushed to the extreme but remain close to how we would hear and use them in context.Īmong the other features, the sound effects included in CORE 2 are UCS compliant. The files sound clean and most of them include multiple variations. Coin drops, glass, handcuffs, leather jacket movements, and a lot of different objects can cover so many actions and provide a good basis for our work.Īs you might know, Foley is what can make a scene alive and since every scene and movement is different, sound effects in this category are never enough (unless we can pay for a Foley Artist, but that is another story).
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The sounds here are divided into Feet, a collection of various Footsteps, walking or running on different surfaces with different type of shoes, then Misc, full of bodyfalls, grabs, and the like, and Prop, the largest folder that features a huge variety of sounds. One never has enough Foley sound content and having a nice selection of sounds to start with is very useful. Next, we have the Foley Essentials collection. They also offer the option of auditioning and buying single sounds, as well as offering a monthly subscription option through SoundQ – their new sound library workflow software. Anderson (Odyssey Collection) to the Speciality libraries, which are more specific collections dedicated to particular categories. Ranging from huge all-purpose general sound effects libraries curated by award-winning sound designers such as Mark Mangini and Richard L. Pro Sound Effects is a well-known company that specializes in sound effect libraries and software. That’s not to mention the time and effort it takes to gather some type of sounds on our own (some might be geographically distant, some other dangerous, others might require special equipment, and so on).
Relying on good quality libraries can surely make a great difference and save a lot of time as well. Having nothing but low-quality recordings will not take us all that far. A lot of professionals working in this field know that having great sounds at their fingertips is a fundamental need in order to experiment with these ideas, set the mood, and start creating.įor beginners who don’t have any library, in particular, having good starting points is really important to be able to engage in different types of work. Helping the story, guiding the emotion of the audiences is a matter of choices and ideas. Whether we are in front of a videogame, a television advertisement, a film,we are going to contribute to the narrative with sounds, and this goes well beyond sound creation and manipulation.
When talking about sound design, we might think of the process of creating out-of-this-world sounds by processing and manipulating sound sources, or operating futuristic synthesizers and samplers, all the while overlooking a lot of other aspects that make this field so interesting.
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